Английски - Племената оджибве Речник:
Синоними:
| Ayers Rock |
Hudson |
Rock 'n' roll |
| Rock and roll |
rocked |
rocking |
| rocks |
roll 'n' roll |
roll-and-roll |
Дефиниция:
+18  |
1. In geology, a naturally occurring and coherent aggregate of minerals. The three major classes of rock; igneous, sedimentary and metamorphic; are based on the processes that formed them. These three classes are further subdivided on the basis of various factors, especially chemical, mineralogical and textural attributes. |
| +5 |
2. rock and roll |
| +5 |
3. of person or thing be excellent: "You rock, man" |
| +4 |
4. stone; rock music; back and forth movement, shaking; diamond (Slang) |
| +3 |
5. play or dance to rock'n'roll music: "Let's rock" |
| +2 |
6. largest red monadnock in the world situated in the Northern Territory (Australia), called "Uluru" by the aboriginal people of Australia |
| +2 |
7. crystalline rock |
| +2 |
8. igneous rock |
| +2 |
9. rock art |
| +2 |
10. of an event, dance party, etc. be excellent; to go off: "Club Retro really rocks" |
| +1 |
11. anagram cork |
| +1 |
12. sway, swing; shock |
| +1 |
13. Hudson Rock |
| +1 |
14. intrusive rock |
| +1 |
15. Little Rock |
| +1 |
16. metamorphic rock |
| +1 |
17. rock crystal |
| +1 |
18. rock glacier |
| +1 |
19. acid and basic rocks; |
| +1 |
20. slang to have sexual intercourse |
| +1 |
21. dole (rhyming slang) |
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22. a style of American popular music originating in the mid 1950s which featured guitars and driving rhythms with accents on the offbeats |
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23. orig. Roy Harold Scherer, Jr. born November 17, 1925, Winnetka, Ill., United States died October 2, 1985, Beverly Hills, Calif. United States film actor. He worked at odd jobs before making his film debut in Fighter Squadron (1948). His manly, wholesome good looks made him a popular star in Douglas Sirk melodramas such as Magnificent Obsession (1954) and All That Heaven Allows (1955) and he displayed a flair for comedy in a series of films with Doris Day, including Pillow Talk (1959), Come September (1961) and Send Me No Flowers (1964). He later starred in the television series McMillan and Wife (1971–77). His death from AIDS greatly increased awareness of the disease. |
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24. phosphate rock |
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25. Ayers Rock |
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26. Dome of the Rock |
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27. extrusive rock |
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28. felsic rock |
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29. mafic rock |
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30. rock music |
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31. Rock River |
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32. sedimentary rock |
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33. siliceous rock |
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34. also called rock and roll, rock & roll or rock 'n' roll form of popular music that emerged in the 1950s. It is certainly arguable that by the end of the 20th century rock was the world's dominant form of popular music. Originating in the United States in the 1950s, it spread to English-speaking countries and across Europe in the '60s and by the '90s its impact was obvious globally (if in many different local guises). Rock's commercial importance was by then reflected in the organization of the multinational recording industry, in the sales racks of international record retailers and in the playlist policies of music radio and television. If other kinds of musicclassical, jazz, easy listening, country, folk, etc.are marketed as minority interests, rock defines the musical mainstream. And so over the last half of the 20th century it became the most inclusive of musical labelseverything can be rockedand in consequence the hardest to define. To answer the question What is rock? one first has to understand where it came from and what made it possible. And to understand rock's cultural significance one has to understand how it works socially as well as musically. in geology, naturally occurring and coherent aggregate of one or more minerals. Such aggregates constitute the basic unit of which the solid Earth is comprised and typically form recognizable and mappable volumes. Rocks are commonly divided into three major classes according to the processes that resulted in their formation. These classes are igneous rocks, which have solidified from molten material called magma; sedimentary rocks, those consisting of fragments derived from preexisting rocks or of materials precipitated from solutions and metamorphic rocks, which have been derived from either igneous or sedimentary rocks under conditions that caused changes in mineralogical composition, texture and internal structure. These three classes, in turn, are subdivided into numerous groups and types on the basis of various factors, the most important of which are chemical, mineralogical and textural attributes. in geology, naturally occurring and coherent aggregate of one or more minerals. Such aggregates constitute the basic units of which the solid Earth is comprised and typically form recognizable and mappable volumes. Rocks are commonly divided into three major classes according to the processes that resulted in their formation. These classes are igneous rocks, which have solidified from molten material called magma; sedimentary rocks, those consisting of fragments derived from preexisting rocks or of materials precipitated from solutions and metamorphic rocks, which have been derived from either igneous or sedimentary rocks under conditions that caused changes in mineralogical composition, texture and internal structure. These three classes, in turn, are subdivided into numerous groups and types on the basis of various factors, the most important of which are chemical, mineralogical and textural attributes. For the composition, physical properties, formation and distribution of the major classes of rocks and their subgroupings, see Minerals and Rocks; for petrology, the scientific study of rocks, see Earth Sciences, The: Petrology. Additional reading Standard mineralogical reference works include W.A. Deer, R.A. Howie and J. Zussman, Rock-forming Minerals, 5 vol (196263), with a 2nd ed. in progress (1978) and Annibale Mottana, Rodolfo Crespi and Giuseppe Liborio, Simon and Schuster's Guide to Rocks and Minerals (also published as The Macdonald Encyclopedia of Rocks and Minerals, 1978; originally published in Italian, 1977). Useful texts and monographs include Harvey Blatt, Sedimentary Petrology (1982); Richard V. Dietrich and Brian J. Skinner, Rocks and Rock Minerals (1979); Paul C. Hess, Origins of Igneous Rocks (1989); Cornelis Klein, Minerals and Rocks: Exercises in Crystallography, Mineralogy and Hand Specimen Petrology (1989) and Anthony R. Philpotts, Principles of Igneous and Metamorphic Petrology (1990). Cornelis KleinD.H. Griffiths and R.F. King, Applied Geophysics for Geologists and Engineers: The Elements of Geophysical Prospecting, 2nd ed (1981); Robert S. Carmichael (ed.), Handbook of Physical Properties of Rocks, 3 vol (198284), also available in a 1-vol. abridged ed., Practical Handbook of Physical Properties of Rocks and Minerals (1989); Edgar W. Spencer, Introduction to the Structure of the Earth, 3rd ed (1988) and D.R. Bowes (ed.), The Encyclopedia of Igneous and Metamorphic Petrology (1989), may also be consulted. Robert S. Carmichael Additional reading General There is an extensive literature on rock that ranges from academic musicology and sociology through every kind of journalism to disposable gossip and poster books. Peter van der Merwe, Origins of the Popular Style (1989, reissued 1992), a scholarly study of pre-20th-century popular music, helps explain why a music first appearing at the margins of Western culture so quickly became the mainstream. Charlie Gillett, The Sound of the City: The Rise of Rock and Roll, 2nd ed., newly illustrated and expanded (1996), is still the best account of how rock and roll was first shaped in a variety of local American settings. Rock and roll's roots in black and white music are covered in Country: The Music and the Musicians: From the Beginnings to the '90s, 2nd ed (1994), an informative overview of country music history published by the Country Music Foundation and Charles Keil, Urban Blues (1966, reissued 1991), an illuminating anthropological study of African-American musical culture in the late 1950s and early 1960s.The development of rock out of rock and roll was as much an ideological as a musical process and the classic description of that ideologyof why and how rock drew from and came to articulate the contradictory impulses of American popular cultureis Greil Marcus, Mystery Train, 4th rev. ed (1997), which, in its studies of particular musicians, was the first work to reveal the possibilities of rock criticism; Greil Marcus, Invisible Republic: Bob Dylan's Basement Tapes (1997), fills the biggest gap in Mystery Train. Simon Frith and Howard Horne, Art into Pop (1987), studies how British rock sensibility was shaped by art school ideas and practices. Simon Frith and Andrew Goodwin, On Record: Rock, Pop and the Written Word (1990), is a useful anthology of 30 years of scholarly writing on rock, from a variety of disciplinary perspectives. The best studies of the rock music industry are Geoffrey Stokes, Star-Making Machinery (1976), a fine and undated piece of reportage on the making and marketing of a Commander Cody LP; Andrew Goodwin, Dancing in the Distraction Factory: Music Television and Popular Culture (1992), a lucid and thoughtful analysis of MTV's impact on rock culture and Paul Thberge, Any Sound You Can Imagine: Making Music/Consuming Technology (1997), a comprehensive history of the effects of technology on music making, paying particular attention to digital technology. Biographies Peter Guralnick, Last Train to Memphis (1994), is the definitive work on the young Elvis Presley and his influences; Peter Guralnick, Careless Love (1999), provides all one needs to know about Presley's subsequent careerits triumphs and tragedies. Good accounts of the ways in which musicians have tried to make sense of rock's confusion of art, commerce and politics can be found in the biographies of four musicians who, died young: Marc Eliot, Death of a Rebel (1979, reissued 1995), on the muddled life of folk-rock singer-songwriter Phil Ochs; Charles Shaar Murray, Crosstown Traffic (1989), a biography of Jimi Hendrix focusing on issues of race and identity; Dr. Licks, Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jamerson (1989), a loving account of the origins and influence of one of rock's most significant rhythmic stylists and Armond White, Rebel for the Hell of It (1997), on rap star Tupac (2pak) Shakur, an important reflection on music and the state of the American nation at the end of the 20th century. Genres The most enlightening books on particular musical genres are Andrew Holleran, Dancer from the Dance (1978, reissued 1990), a disco novel that captures the disco experience better than any other writing; Dick Hebdige, Cut 'n' Mix: Culture, Identity and Caribbean Music (1987, reissued 1990), a suggestive application of cultural theory to the remarkable mobility of reggae music; Jon Savage, England's Dreaming: Sex Pistols and Punk Rock (1991; also published as England's Dreaming: Anarchy, Sex Pistols, Punk Rock and Beyond, 1992), on music, suburbia and boredom; David Toop, Rap Attack 2: African Rap to Global Hip Hop, rev. ed (1991), a well-informed history of hip-hop; Robert Walser, Running with the Devil: Power, Gender and Madness in Heavy Metal Music (1993), the most convincing of all the musicological rock studies; Sarah Thornton, Club Cultures: Music, Media and Subcultural Capital (1995), an intelligent sociology of British dance clubs in the early 1990s and Simon Reynolds, Generation Ecstasy: Into the World of Techno and Rave Culture (1998), a helpful map of a confused music scene. Finally, Evelyn McDonnell and Ann Powers, Rock She Wrote (1995), is an instructive anthology of rock writing from a female perspective; Mark Slobin, Subcultural Sounds: Micromusics of the West (1993), is an ethnomusicological study which makes clear that all popular musics, rock included, remain local even as they become global, just as in the first days of rock and roll. |
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35. M O V E (v) to (cause someone or something to) move backwards and forwards or from side to side in a regular way He picked up the baby and gently rocked her to sleep. If you rock back on that chair, you're going to break it. If a building is rocked by an explosion, the force of the explosion makes the building shake. The explosion, which rocked the city, killed a number of passers-by and damaged many buildings. If an event rocks a group of people or society, it causes feelings of shock and fear. The managing director's resignation rocked the whole company. The program has been rocked by allegations of fraud and mismanagement. (informal) If you rock the boat, you do or say something that will upset people or cause problems. A small number of M Ps are determined to speak out against the bill, even if this means rocking the boat. A rocking chair (also rocker) is a chair built on two pieces of curved wood so that you can move forwards and backwards on it as you sit in it. See pictures: Chairs, Living room A rocking horse is a wooden toy horse that children can make move backwards and forwards as they sit on it. See picture: Toys |
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36. The Rock |
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37. shock, cause a personal change; is great, is as good as great rock music, is cool. Usage example: "Killing Fields" is a powerful movie. It will rock you. This webcam really rocks. I can send movies to all my friends! |
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38. shock, cause a personal change, shake him Killing; Fields is a powerful movie. It will rock you. |
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39. slang to wear; - "I was rocking my brand new Nikes" |
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40. slang Biblical. Alcatraz, Jamaica... |
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41. slang crack |
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42. dance Two weight changes with the feet apart, taken in any direction |
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43. petroleum industry an aggregate of different minerals. Rocks are divided into three groups on the basis of their mode of origi igneous, metamorphic, and sedimentary. |
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44. jewel, especially a diamond |
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45. pl. testicles |
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46. upset someone's equanimity with a cutting remark, witty come-back, etc. |
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47. set out on a journey; leave; go: "Okay everyone, let's rock'n'roll" |
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48. begin doing something |
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Ние са намерили следните племената оджибве думи и преводи за "rock":
|
Английски |
Племената_оджибве |
| 1. |
rock |
asin+iig
|
| 2. |
rock |
asinii+n
|
| 3. |
rock |
ininaabik+oog
|
Така че, това е, как може да се каже "rock" в племената оджибве.
Спрежение:
present I rock
you rock
he/she/it rocks
we rock
you rock
they rock
simple past I rocked
you rocked
he/she/it rocked
we rocked
you rocked
they rocked
present perfect I have rocked
you have rocked
he/she/it has rocked
we have rocked
you have rocked
they have rocked
past continuous I was rocking
you were rocking
he/she/it was rocking
we were rocking
you were rocking
they were rocking
future I shall rock
you will rock
he/she/it will rock
we shall rock
you will rock
they will rock
continuous present I am rocking
you are rocking
he/she/it is rocking
we are rocking
you are rocking
they are rocking
subjunctive I be rocked
you be rocked
he/she/it be rocked
we be rocked
you be rocked
they be rocked
diverse rock
let's rock
rocked
rocking
. Изрази съдържащи "rock":
|
Английски |
Племената_оджибве |
| 1. |
anchor rock |
agonjiwasin+iig |
| 2. |
bare rock: be ~ |
bashkwaabikaa |
| 3. |
bass: rock ~ |
agodaashiinh+yag |
| 4. |
bass: rock ~ |
gidagaa-agwadaashii+g |
| 5. |
black rock |
makadewaabikosin+iig |
| 6. |
block: be a rock ~ing the way |
gibwaanaabikaa |
| 7. |
blue-grey rock |
ozhaawashkwaabik+oog |
| 8. |
cleft: be a ~ in the rock |
basaabikaa |
| 9. |
cleft: be a rock ~ |
daashkaabikaa |
| 10. |
cleft: be a rock ~ |
dawaabikaa |
| 11. |
cliff: be a high rock ~ |
giishkaabikaa |
| 12. |
cliff: be a high rock ~ |
apiitaabikaa |
| 13. |
cliff: be a rock ~ |
giishkaazhibikaa |
| 14. |
cliff: be a steep rock ~ |
giishkaabikaa |
| 15. |
cliff: rock ~ |
aazhibik+oon |
| 16. |
cliff: there are beautiful rock |
minwaabikaa § |
| 17. |
cliff: there are white rock ~s |
waabaabikaa |
| 18. |
concave: be a ~ rock wall |
waanaabikaa |
| 19. |
conglomerate rock |
baapaatewasin+iig |
| 20. |
conglomerate rock |
biiwaabikosin+iig |
| 21. |
connected to a rock: lie ~ |
ashidaabikisin |
| 22. |
connected to a rock: lie ~ |
ashidaabikishin |
| 23. |
coppery rock |
miskwaawaabikaa |
| 24. |
crack in the rock: be a ~ |
daashkaabikaa |
| 25. |
crevass: be a rock ~ |
daashkaabikaa |
| 26. |
crevass: be a rock ~ |
dawaabikaa |
| 27. |
crevice: be a rock ~ |
dawaabikaa |
| 28. |
crevice: be a rock ~ |
daashkaabikaa |
| 29. |
crush rock |
zhiigwasinii`ige |
| 30. |
crushed rock |
zhiigwasin+iin |
| 31. |
crusher: rock ~ § |
gaa-bimibideg zhiigwasinii`igan+an |
| 32. |
cudgel: cylindrical rock ~ |
mizaatigwaabik+oog |
| 33. |
cylindrical rock cudgel |
mizaatigwaabik+oog |
| 34. |
damp rock: be a ~ |
nibiiwaabikaa |
| 35. |
depress: be ~ed rock |
dabasaabikaa |
| 36. |
depression: be ~ in rock |
waanaabikaa |
| 37. |
difficult rock |
maanaadaabikaa |
| 38. |
dock made of rock |
niminaaweyaabika`inigan+an |
| 39. |
dove: rock ~ |
waabomiimii+g |
| 40. |
dove: rock ~ |
waab-miimii+g |
| 41. |
dove: rock ~ |
omiimii+g |
| 42. |
dove: rock ~ |
waabamiimii+g |
| 43. |
dry rock |
bengwayaabik |
| 44. |
fissure: be a ~ in a rock |
basaabikaa |
| 45. |
fissure: be a ~d rock |
naabiineyaabikaa |
| 46. |
fissure: be a rock ~ |
daashkaabikaa |
| 47. |
fissure: be a rock ~ |
dawaabikaa |
| 48. |
flat rock: be a ~ |
desi`aabikaa |
| 49. |
flat rock: be a ~ |
desiyaabikaa |
| 50. |
flat rock: be a ~ |
nabagaabikaa |
| 51. |
flecked rock: be a ~ |
gidagaabikaa |
| 52. |
flint rock |
biiwaanagosin+iig |
| 53. |
gap: be a ~ in the rock |
basaabikaa |
| 54. |
grandfather rock |
nimishoomisaabik+oon |
| 55. |
grey: blue-~ rock |
ozhaawashkwaabik+oog |
| 56. |
gull rock |
giiyaashkonaabik+oog |
| 57. |
hard rock § |
anaamakamig gaa-ayaaj gaa-mashkawizij asin |
| 58. |
High Rock Bay |
Ishpaabikaa-wiikwed |
| 59. |
high rock: be ~s |
ishpaabikaa |
| 60. |
high: be a ~ rock cliff |
apiitaabikaa |
| 61. |
hole: be a ~ in the rock |
bagwaneyaabikaa |
| 62. |
hole: be a ~ in the rock |
bagoneyaabikaa |
| 63. |
hollow: be a rock ~ |
wiimbaabikaa |
| 64. |
hollow: make a rock ~ |
wiimbaabikaan |
| 65. |
igneous rock § |
anaamakamig gaa-ayaaj gaa-mashkawizij asin |
| 66. |
impassable rock |
maanaadaabikaa |
| 67. |
impenetrable rock |
maanaadaabikaa |
| 68. |
irregular rock |
maanaadaabikaa |
| 69. |
island: small rock ~ |
minisaabikoons+an |
| 70. |
layer: be flat rock that breaks |
biitowaabikaa § |
| 71. |
layer: flat rock that breaks in |
biitowaabik+oog § |
| 72. |
lichen: be a ~-covered rock |
waakonaabikaa |
| 73. |
Little Rock |
Asiniins |
| 74. |
Little Rock |
Asiniiwikaag |
| 75. |
Little Rock Creek |
Bikwaabikaa-ziibi |
| 76. |
Little Rock Creek [Beltrami |
Gaa-asiniinsikaag-ziibi § |
| 77. |
Little Rock Lake |
Bikwaabikaans-zaaga`igan |
| 78. |
low: be ~er-level rock |
dabasaabikaa |
| 79. |
Middle of the Rock-Cliff Lady |
Naawaazhibikookwe |
| 80. |
moss: be a ~-covered rock |
waakonaabikaa |
| 81. |
mottled rock: be a ~ |
gidagaabikaa |
| 82. |
on a rock |
ogidaabik |
| 83. |
on a rock |
ogidaabikang |
| 84. |
other side: rock on the ~ |
agaamaabik |
| 85. |
paint: rock ~ing |
mazinaabikinigan+an |
| 86. |
People: Rock-~ |
Omemegwesi+wag |
| 87. |
People: Rock-~ |
memegwesi+wag § |
| 88. |
People: Rock-~ |
memegweshi+wag |
| 89. |
People: Rock-~ |
memegawansi+wag |
| 90. |
People: Rock-~ |
memegweshii+yag |
| 91. |
People: Rock-~ |
memengweshii+wag |
| 92. |
point: be a ~ of rock |
majidewaabikaa |
| 93. |
purple-red rock |
nadowasin+iig |
| 94. |
quay made of rock |
niminaaweyaabika`inigan+an |
| 95. |
red rock |
miskwaawaabikaa |
| 96. |
red rock |
miskwaasin+iig |
| 97. |
Red Rock FN |
Opwaaganasiniing |
| 98. |
red rock: hard dark ~ |
miskwaabikosin+iig |
| 99. |
ridge: be a rock ~ |
bimaabikaa |
| 100. |
river passes between two rock w |
basaabikitigweyaa § |
| 101. |
rock OS |
wewebizo |
| 102. |
rock bass |
agodaashiinh+yag |
 Още изрази . До сега, има редица 4,615,433 търси думи / изрази, сред 24,462 днес. Тагове: rock, asin+iig, asinii+n, ininaabik+oog, Английски - Племената оджибве Речник, Английски, Племената оджибве, превод |
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